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American animated television series

Phineas and Ferb
Phineas and Ferb logo.svg
Genre Science fantasy
Action
Take chances
Comedy
Slapstick
Surreal comedy[1]
Musical
Created by Dan Povenmire
Jeff "Swampy" Marsh
Voices of
  • Vincent Martella
  • Thomas Sangster
  • Ashley Tisdale
  • Dee Bradley Bakery
  • Dan Povenmire
  • Jeff "Swampy" Marsh
  • Caroline Rhea
  • Richard O'Brien
  • Alyson Stoner
  • Mitchel Musso
  • Maulik Pancholy
  • Bobby Gaylor
  • Olivia Olson
  • Kelly Hu
  • Ariel Wintertime
  • Jennifer Grey
Opening theme "Today Is Gonna Exist a Great Twenty-four hour period" past Bowling for Soup
Composer Danny Jacob
Country of origin United states of america
Original language English
No. of seasons 4
No. of episodes 129 (222 segments) (list of episodes)
Product
Executive producers Dan Povenmire
Jeff "Swampy" Marsh
Producer Robert F. Hughes
Running time 22 minutes
Production visitor Disney Television receiver Animation
Benefactor Disney–ABC Domestic Television
Release
Original network Disney Channel
Disney XD
Toon Disney
Original release August 17, 2007 (2007-08-17) –
June 12, 2015 (2015-06-12)
Chronology
Followed by Take Two with Phineas and Ferb
O.West.C.A. Files
Related shows Milo Spud's Law

Phineas and Ferb is an American blithe musical-comedy television series created by Dan Povenmire and Jeff "Swampy" Marsh for Disney Channel and Disney XD. Produced past Disney Television Animation, the series was originally circulate as a ane-episode preview on August 17, 2007, and over again previewed on September 28, 2007, the series officially premiered on February 1, 2008, on Disney Channel, running until June 12, 2015.

The plan follows Phineas Flynn and his stepbrother Ferb Fletcher,[2] who are between 8 and 10 years old,[three] during summer vacation. Every mean solar day, the boys embark on a grand new project, which is commonly unrealistic in scale given the protagonists' ages (and are sometimes physically impossible). This annoys their controlling older sis Candace, who frequently tries to reveal their shenanigans to her and Phineas' mother, Linda Flynn-Fletcher, and less ofttimes to Ferb's male parent, Lawrence Fletcher. The series follows a standard plot system; running gags occur in every episode, and the subplot nigh always features Phineas and Ferb'due south pet platypus Perry the Platypus working as a spy named "Agent P" for OWCA (the Organisation Without a Cool Acronym) to defeat the latest scheme of Dr. Heinz Doofenshmirtz, a mad scientist driven largely past a need to assert his evilness (although he is non especially evil and has a skilful center in some situations). The two plots intersect at the end to erase all traces of the boys' project just before Candace can testify information technology to their mother, which ordinarily leaves Candace very frustrated.

Povenmire and Marsh had previously worked together on Play a joke on'due south The Simpsons and Nickelodeon's Rocko's Mod Life. The creators likewise voice two of the main B-plot characters, Dr. Doofenshmirtz and Major Monogram. Phineas and Ferb was conceived after Povenmire sketched a triangular boy – the image for Phineas – in a eating place. Povenmire and Marsh adult the series concept together and pitched it to networks for 16 years earlier securing a run on Disney Channel.[two]

Premise

The show follows the adventures of stepbrothers Phineas Flynn and Ferb Fletcher, who live in the fictional city of Danville in an unspecified tri-state area, as they seek means to occupy their time during their summer vacation. Often these adventures involve elaborate, life-sized and ostensibly dangerous construction projects. Phineas' older sister Candace Flynn has two obsessions: exposing Phineas and Ferb's schemes and ideas, and winning the attending of a boy named Jeremy.[five] Meanwhile, the boys' pet platypus Perry, acts as a clandestine agent for an all-animal government organization[half dozen] [7] chosen the O.West.C.A. ("Organization Without a Absurd Acronym"), fighting Dr. Heinz Doofenshmirtz.[8]

Much of the series' humor relies on running gags used in almost every episode, with slight variation.[nine] Most episodes follow a pattern:

  • Some incident gives Phineas an idea for a project, and he announces, "Hey, Ferb, I know what we're gonna do today!"
  • Meanwhile, Perry slips away, using 1 of many hidden tunnels, to a secret underground base of operations. Phineas (or occasionally another graphic symbol) remarks, "Hey, where'southward Perry?"
  • Major Monogram briefs Amanuensis P on his mission; this sometimes amounts to nothing more than "Dr. Doofenshmirtz is up to something; find out what it is, and put a cease to it!"
  • Candace sees what the boys are doing, and resolves to "bosom" them (i.east., expose the project to her mother to get the boys in trouble).
  • Perry breaks into the skyscraper part of Doofenshmirtz Evil Inc. (consummate with its own musical jingle, and sometimes variations depending on location and time). Doofenshmirtz traps Perry and explains his current evil plan. Perry escapes the trap and they battle.
  • Phineas and Ferb complete their project.
  • Mom gets abode and Candace thinks that, at last, Mom will come across what the boys have been upwards to and believe her, but just as Mom is nigh to step into the dorsum k, all evidence vanishes, normally as a side issue of Doofenshmirtz's device.[8] [nine]
  • Doofenshmirtz, foiled again, cries out, "Curse you, Perry the Platypus!"

Other running gags:

  • An adult asks Phineas if he is rather young to be performing some complex activities; he usually responds, "Yep, yes, I am," although the adult never tries to stop the boys from their fun, and Phineas usually has all legal clearance for his ideas to be executed, including building permits.
  • Doofenshmirtz'south names for his contraptions all have the same suffix of "-inator," equally in Shrinkinator, Giant Domestic dog Biscuit-inator, Eradicate Rodney'southward-inator, etc.[2] Eventually he starts calling them "inators" as a generic term.
  • Ferb rarely speaks more than than once in an episode.
  • Isabella, who has a trounce on Phineas, comes into the lawn and asks, "Whatcha doin'?" in a distinctive singsong tone. She dislikes when other characters (too Phineas) say the line. For case, in "Suddenly Suzy", afterward both Suzy and Candace speak the line, Isabella grumbles "Uh, hello!?" and "Do I even demand to be here?" in response.

Sure aspects of the show's sense of humour are aimed at adults,[10] including its frequent pop-culture references.[11] Co-creator Dan Povenmire, who had previously worked on Family Guy, sought to create a less raunchy evidence that would make like utilise of comic timing, metahumor, humorous bare stares, wordplay and breaking the 4th wall.[12] Povenmire describes the show equally a combination of Family Guy and SpongeBob SquarePants.[xiii] Co-creator Jeff "Swampy" Marsh has said that the prove was not created exclusively for children; he simply did not exclude them as an audience.[10]

Episodes

On May 7, 2015, Disney officially announced that the serial had ended subsequently four seasons, and that the final hour-long episode titled "Phineas and Ferb: Last Twenty-four hour period of Summer" would premiere on June 12, 2015, on Disney XD, simulcast on Disney Channel. A 73-hr marathon of the testify began on Disney XD on June ix, 2015.[14] It was also announced that a standalone hour-long special titled "O.Due west.C.A. Files" would exist released the following autumn. The special officially premiered on Disney XD on November 9, 2015.

Characters

A platypus was included in the series because of its interesting appearance.[15]

The serial' primary characters live in a blended family, a premise that the creators considered underused in children's programming and that reflected Marsh'southward ain upbringing. Marsh considers explaining the family background "not important to the kids' lives. They are a corking blended family and that's all we need to know."[xvi] The option of a platypus as the boys' pet was similarly inspired by media underuse, as well as to exploit the animal's striking appearance.[15] Povenmire and Marsh wanted to select an uncommon species, an animate being that kids could non "pick out at a pet store and beg [their parents] for."[17] The platypus also gives them freedom to "make stuff up" since "no one knows very much virtually them."[16] Choosing a platypus also immune them to own that "mental real estate," so that if someone thinks of the word "platypus," they will associate it with Agent P, only as an ogre is now commonly associated with Shrek.[18]

Marsh called the characters "cool, edgy and clever without ... beingness mean-spirited." Animation director Rob Hughes is said to accept noted that "in all the other shows every character is either stupid or a wiggle, but there are no stupid characters or jerks in this one."[5]

Music

The series is known for some of its memorable songs that appear in almost every episode since the first-season "Flop Starz". Disney's executives particularly enjoyed the episode'south song "Gitchee, Gitchee Goo" and requested that a song appear in each subsequent episode.[5] The music earned the serial a total of 4 Emmy nominations: in 2008 for the main title theme and for the song "I Own't Got Rhythm" from the episode "Dude, We're Getting the Band Back Together,"[19] and in 2010 for the vocal "Come Dwelling Perry" from the episode "Oh, There Y'all Are, Perry," besides every bit one for its score.

"Every episode since [Flop Starz] has a song in it. It'south not always the characters singing onscreen – they don't break into vocal just to advance the plot. The music doesn't come out of nowhere, sometimes information technology'south just a montage over action. Nosotros've washed every genre known to man: ABBA, Broadway show tunes, 16th-century madrigals"

Dan Povenmire on the songs.[5]

Phineas and Ferb follows structural conventions that Povenmire and Marsh developed while writing Rocko's Modern Life, whereby each episode features "a song or a musical number, plus a big action/chase scene."[5] Both creators had musical backgrounds, as Povenmire performed rock and roll in his college years[20] and Marsh'due south granddad was the bandleader Les Dark-brown.[10]

The songs bridge many genres, from 16th-century madrigals to Broadway testify tunes.[5] Each is written in an intensive session during episode production; a concept, score and lyrics are developed quickly.[21] Together, Marsh and Povenmire tin can "write a song about almost anything" within ane hr.[16] After they end writing their songs, Povenmire and Marsh sing them over the answering machine of series composer Danny Jacob on Friday nights. Past the post-obit Monday, the song is fully produced.[22]

The title sequence music, originally named "Today Is Gonna Exist a Corking Twenty-four hours" and performed by the American group Bowling for Soup,[8] was nominated for an Emmy honor in 2008.[xix] The creators originally wrote a slower number more than in keeping with a "archetype Disney vocal," but the network felt that changes were needed to particularly appeal to children and commissioned the rock version that made the final cut.[4]

A Season 2 prune show broadcast in October 2009 focused on the show's music, featuring a viewer-voted list of the summit ten songs from the series; the end result was the "Phineas and Ferb'due south Musical Cliptastic Countdown."[23]

This clip prove spawned a sequel called the "Phineas and Ferb Musical Cliptastic Countdown Hosted by Kelly Osbourne," which aired on June 28, 2013. Osbourne hosted the special in live form, while Dr. Doofenshmirtz and Major Monogram were animated.[24]

Origins

Early inspirations

Dan Povenmire attributes the show'southward genesis to his babyhood in Mobile, Alabama, where his female parent told him to never waste matter a twenty-four hour period of summer. To occupy himself, Povenmire undertook projects such as hole-digging and home picture show-making. Povenmire recalled, "My mom let me drape black cloth all the way beyond 1 end of our living room to use as a space field. I would hang piddling models of spaceships for these little movies I made with a Super 8 camera."[two] [four] [25] He was an artistic prodigy and displayed his very detailed drawings at art shows.[20]

Marsh was raised in a big, blended family.[ten] As with Povenmire, Marsh spent his summers exploring and taking part in various activities to have fun.[5]

Conception

Drawn on butcher paper, this offset cartoon of Phineas began a rapid growth of characters and the outline of the artistic style.[v]

While attention the University of Southern California, Povenmire started a daily comic strip called Life Is a Fish, and received money from the sale of its related merchandise. He eventually dropped out and started drawing people on street corners to brand a living, until he was finally called by Tommy Chong to work on a short fleck of blitheness in the picture Far Out Human being. Povenmire began to accept up blitheness professionally, working on shows such as Teenage Mutant Ninja Turtles.[20] Marsh had become a vice president of sales and marketing for a figurer company until he "freaked out" and decided to quit. His friend helped him put together a portfolio and enter the animation business.[ten]

Povenmire and Marsh started working across from each other as layout artists on The Simpsons. The two bonded over common tastes in humour and music, condign fast friends. They continued their working relationship as a writing team on the Nickelodeon series Rocko's Modern Life,[ii] where they conceived the idea for their ain series.[ii] While eating dinner at a Wild Thyme restaurant in Due south Pasadena, Povenmire drew a quick sketch of a "triangle kid" on butcher paper.[12] He tore information technology out and called Marsh that night to study, "Hey, I think we have our show."[fifteen]

The triangle putter sparked rapid development of characters and designs.[12] Povenmire decided that his sketch "looked like a Phineas," and named Ferb afterwards a friend who "owns more tools than anyone in the earth."[26] The creators based their grapheme designs on angular shapes in homage to MGM/Warner Bros. animator/director Tex Avery, calculation geometric shapes to the backgrounds for continuity.[12]

Pitching and pickup

Disney Aqueduct was the first network to give the series a chance, though initially declined when Dan Povenmire originally pitched it to them.

The writing duo's early on attempts to pitch the testify failed and, though they remained committed to the concept, Povenmire and Marsh began to drift apart after their work on Rocko's. Marsh moved to London and worked on shows including Postman Pat and Bounty Hamster. Povenmire began working on the primetime Flim-flam serial Family unit Guy [2] and the Nickelodeon serial SpongeBob SquarePants, always carrying a Phineas and Ferb portfolio[xv] for user-friendly pitching to networks such every bit Cartoon Network and Play a trick on Kids. The networks passed on the show, assertive the series' premise was likewise circuitous to succeed.[ii]

Povenmire persisted and again pitched the series to Nickelodeon, where it was considered by high-level executives merely rejected once more as overly complicated.[2] Then, after 16 years of trying, Povenmire landed a pitch with Disney. The network did not immediately take the evidence, simply told Povenmire that information technology would continue the packet. Povenmire causeless that this had meant an end to negotiations, aware that the phrase usually "ways they throw it in the trash later on." Disney then surprised him by accepting.[twenty] Said Povenmire, "Disney was the first to say, 'Allow's see if you lot can exercise it in xi minutes.' We did information technology in the pilot and they said, 'Let's see if you can practise information technology for 26 episodes.'"[5]

Povenmire was initially worried that his work on Family Guy (an adult show known for its lowbrow sense of humor) would concern Disney, which markets its fare primarily to families. Nonetheless, Disney Aqueduct senior vice president of original series Adam Bonnett was a Family Guy fan who appreciated Povenmire's connection to the evidence and received his pitch well.[five] Family Guy would somewhen become a Disney belongings following their 2019 acquisition of 21st Century Fox.

In 2006, after the Disney Channel had accepted the evidence, Povenmire and Marsh turned their attention to the visitor'southward overseas executives. Instead of penning a normal script, the ii drew out storyboards and played them in a reel. Povenmire voiced over the reel with his dialogue and added sound effects. This novel approach secured the executives' support.[4]

Production

Writing style

The show uses four main writers to devise story ideas co-ordinate to "strict guidelines", such as that the boys' schemes never announced to be "magical." Stories are reviewed at weekly sessions on a Monday, then simultaneously scripted and storyboarded. A very crude design is built before the storyboard, featuring little more than than suggested scenes and dialogue, is drafted; the writers then gather for a "play-by-play" walkthrough of the storyboard in front of the whole crew, whose reactions to the jokes are assessed before rewrites are made.[27] The writers too include running gags in every episode, which are by and large lines spoken by characters.[2] [28] About every episode is split into two eleven-minute segments.[29]

Visual aspects and animation

The stages of development for a scene during the opening theme, from the original typhoon (top) to the final design (lesser). The top appears briefly in the Season 1 theme.

Crude Draft Studios in South Korea, Wang Motion-picture show Productions in Taiwan, Morning Sun Animation and Synergy Blitheness in Shanghai and Hong Ying Blitheness and Hong Guang Animation in Suzhou animate the series in 2D Animation using the software packet Toon Boom.[30] Povenmire undertakes the bulk of product management, along with Zac Moncrief and Robert Hughes.[31] The series adopts artistic features from animator Tex Avery, such as geometric shapes integrated into characters, objects, and backgrounds. Povenmire says of this inclusion, "There'due south a lilliputian chip of Tex Avery in in that location-he had that very graphic mode [in his later cartoons]."[12] Triangles are featured as an easter egg in the background of every episode, sometimes in trees or buildings.[10]

Bright colors are also a prominent element of the animation. Marsh elaborates, "The idea at the stop of the day was candy. 1 of the things that I retrieve works and so well is that the characters are so bright and candy-colored and our backgrounds are a much more than realistic depiction of the earth: the soft light-green of the grass, the natural woods for the fence. In society for all the stuff that they exercise to work, their world needs to be grounded in reality." The designers sought to keep their characters visually elementary, so that kids "would easily be able to describe [them] themselves." Characters were too crafted to be recognizable from a distance, a technique that the creators say is based on Matt Groening'south goal of making characters recognizable by silhouette.[10]

Bandage

Phineas and Ferb are voiced by Vincent Martella and Thomas Sangster, respectively.[32] Sangster was ane of many British actors cast, every bit Marsh lived in the United Kingdom for seven years and developed a fondness for the British.[33] The rest of the bandage includes Ashley Tisdale as their sister Candace; Bobby Gaylor as Buford van Stomm, who has a trend to swell merely is kept distracted past beingness included in the adventures; Maulik Pancholy as Baljeet Tjinder, a very intelligent male child who avoids beingness Buford'southward main victim by their participation in the adventures; Dee Bradley Baker every bit Perry the Platypus and "just obviously Perry," equally Phineas calls him; Caroline Rhea as Linda Flynn-Fletcher, Phineas and Candace's mother and stepmother to Ferb;[32] Richard O'Brien as Lawrence Fletcher, Ferb's male parent and Phineas and Candace'due south stepfather;[34] Jack McBrayer as Irving, who admires Phineas and Ferb, and is the creator of the Phineas and Ferb fansite; Kelly Hu every bit Candace's all-time friend Stacy;[33] Povenmire equally Dr. Doofenshmirtz; Marsh every bit Major Monogram; Olivia Olson as Dr. Doofenshmirtz'south girl Vanessa; Tyler Mann every bit Carl, Major Monogram'south goofy super genius intern; Alyson Stoner equally neighbor Isabella Garcia-Shapiro, a sweet Mexican/Jewish girl with a trounce on Phineas; Mitchel Musso as Jeremy, Candace's crush and later her boyfriend; and Madison Pettis as Adyson Sweetwater.

The show's casting organization is responsible for selecting virtually of the vocalization actors and actresses, choosing actors such as Martella and Musso for major roles based on perceived popularity with target demographics. Povenmire and Marsh select guest stars, casting people that they "actually want to work with." They besides solicit guest roles from actors whom they experience would lend an interesting presence to the show.[26]

Guest stars accept included pop-culture figures such as Damian Lewis, boxer Evander Holyfield, flick stars Cloris Leachman and Ben Stiller and pop singer Kelly Clarkson. Povenmire and Marsh accept also solicited Tim Curry and Barry Bostwick, stars of The Rocky Horror Moving-picture show Show, to make guest appearances, while Rocky Horror creator Richard O'Brien voices Lawrence Fletcher.[34] Tiptop Gear stars Jeremy Clarkson, Richard Hammond and James May guest-starred in a race-car themed episode equally commentators.[35] Other invitee stars include Tina Fey, Seth MacFarlane, David Mitchell, Jaret Reddick, Clay Aiken, Chaka Khan and Kevin Smith.[34] [36]

Reception and achievements

Reviews

The prove has received generally positive reviews. The New York Times commented favorably, describing the testify as "Family unit Guy with an espionage subplot and a large dose of magical realism." It considered the popular-civilization references ubiquitous "merely [placed] with such skill that information technology seems smart, non cheap."[11] Whitney Matheson wrote in her Usa Today blog Popular Candy that the series was an achievement in children's programming, applauding the writing and calling the show "an animated version of Parker Lewis Tin can't Lose."[37] Emily Ashby of Common Sense Media praised the show'southward sense of humor and plot, giving information technology four out of five stars.[38] The Seattle Times wrote that the story of the show was "valiant" and that the main characters are "immature heroes."[39]

Multifariousness noted the show'south entreatment to all ages with its "sense of wit and blasphemy."[forty] Similar reviews take emphasized the serial' popularity with adults; Rebecca Wright of Elastic Pops wrote, "Equally an developed, I really enjoyed watching this Phineas and Ferb DVD, and I think it is i that the whole family can savour." Wright too called the serial' "irreverent manner" reminiscent of The Adventures of Rocky and Bullwinkle.[41] Wired 's Matt Blum has stated in reviews of the series that he "tin can stand to watch just about anything with [his] kids, but [he] actually look[s] forward to watching Phineas and Ferb with them."[9] Notable celebrities identified equally fans of the series include Bob Eubanks, Anthony LaPaglia, Ben Stiller, Chaka Khan, Jeff Sullivan and Jake Gyllenhaal.[42] [43] [44]

Amidst the negative reviews is one that charges the series with a lack of originality. Maxie Zeus of Toon Zone argues that the show is "derivative, but obviously so, and shorn of even the all-time features of what has been stolen." Zeus takes upshot with the writing, feeling that certain jokes and conventions were "ripped-off" from other shows.[45] Kevin McDonough of Dominicus Coast Today criticized the show for its plot complexity, constant activeness and "characters [that] can do just nigh annihilation." McDonough stated that "information technology'south never clear whether P&F are intended to entertain children or are but a reflection of grown-upwardly animators engaged in a juvenile distraction."[46] Marylin Moss of The Hollywood Reporter described Phineas and Ferb as "Pretty mindless but kids of all ages might observe a humorous moment in it." Moss called the plot lines redundant simply praised the music styles and guest stars.[47]

Alan Sepinwall and Matt Zoller Seitz gave a positive assessment in their 2016 book TV (The Book), stating that "In idiot box, formula often seems to come from a lack of imagination. ... Phineas and Ferb though, managed at the aforementioned time to be wildly imaginative and slavishly formulaic, using its repetitive construction non as a crutch, but every bit a sturdy framework on which it could hang all kinds of fantastic new ideas." They further added that "the characters' awareness of that formula, and any deviations from it, quickly became i of the show's most fertile sources of humour."[48]

Ratings

The first episode, "Rollercoaster", garnered a total of 10.8 million viewers when aired every bit a preview on August 17, 2007, holding onto more than one-half of the record-setting audition of its lead-in, High School Musical two.[49] When Phineas and Ferb officially debuted in Feb the next year, it proved cable's number-one watched animated series premiere past "tweens." Throughout the quarter that followed, it peaked as the acme-rated animated serial for ages 6–10 and 9–xiv, besides condign the number-three animated serial on cable television for viewers age 6–10.[32] By the time that the second season was appear in May 2008, the series had become a elevation-rated program in the half-dozen–eleven and nine–14 age groups.[50]

The Disney Channel's airing of "Phineas and Ferb Go Busted" was watched by 3.7 million viewers.[51] The episodes "Perry Lays an Egg" and "Gaming the System" achieved the most views by ages 6–11 and ix–14 of any channel in that night's time slot. This achievement made the series the number-one animated telecast that week for its target demographics.[52] On June 7, 2009, Disney appear that the show had become the number-one primetime blithe testify for the six-10 and ix-14 groups.[xv]

The premiere of "Phineas and Ferb's Christmas Vacation" garnered 2.62 1000000 viewers during its debut on Disney XD, the most watched telecast in the channel'due south history (including Toon Disney) and the number-three program of the night across all demographics. It received v.two meg viewers for its debut on Disney Channel and was the highest-rated episode of the series to date and 5th-highest for the week.[53] [54] [55]

The premiere of "Phineas and Ferb: Summertime Belongs To You!" garnered 3.862 million viewers and was watched past 22% of children ii–11, xiii% of teens, 5% of households and three% of adults eighteen–49, also ranking as the number-1 program for that night and as 25th for the week.[56] [57] On Disney XD, the episode ranked among the channel'due south top iii telecasts of the year with 1.32 million viewers, including 365,000 among boys 6–eleven, with a 2.9 rating. The hour-long telecast on August two, 2010, was the series' number-two telecast of all fourth dimension on Disney XD in total viewers, behind but December 2009's "Phineas and Ferb's Christmas Vacation."[58]

Marketing and trade

Disney has licensed a number of products from the show, including plush toys of characters Perry, Ferb, Phineas and Candace.[59] Disney released several T-shirts for the testify and launched a "Make your own T-shirt" program on its website.[60] Authors take novelized several episodes.[61] Ii Season 1 DVDs, entitled The Fast and the Phineas and The Daze of Summer, take been released; the discs include episodes never previously broadcast in the U.Due south.[62] [63] A 3rd DVD was released on October five, 2010, called A Very Perry Christmas. Some reviewers were displeased that the discs covered selected episodes rather than the entire series, but noted that Disney does non generally release total-flavour DVD sets.[62]

In 2009, Disney licensed a Nintendo DS game titled Phineas and Ferb. The game's story follows the championship characters equally they attempt to build a roller coaster. The player controls Phineas, Ferb and occasionally Agent P (Perry the Platypus). Phineas scavenges for spare parts for the roller coaster while Ferb fixes various objects around town, gaining access to new areas as a outcome. Ferb can also construct new parts of the coaster and its vehicle-themed carts. Each activity features a curt mini-game.[64] [65] [66] The game was well-received and garners a 76.67% on GameRankings.[67] A sequel entitled Phineas and Ferb: Ride Again was released on September 14, 2010.[68] Another game, Phineas and Ferb: Across the Second Dimension, was released for the Wii and PlayStation 3 platforms in 2011.[69]

In 2012, Disney opened an interactive game based on the series at Epcot, titled Agent P'due south Earth Showcase Chance, which centered around Perry and Dr. Doofenshmirtz, based on the previous attraction Kim Possible Globe Showcase Take a chance.[lxx]

Also in 2012, Disney Mobile launched a mobile game titled Where'south My Perry? for iOS and Android. Information technology was based on Disney'southward popular Where's My Water? game, using similar physics.[71]

In 2013, Disney commissioned Majesco Entertainment to create Phineas and Ferb: Quest for Cool Stuff, which was released for the Xbox 360, Wii U, Wii, Nintendo 3DS and Nintendo DS platforms.[72] [73]

Homages

The U.Chiliad. Disney Channel has aired a series entitled Oscar and Michael's Phineas and Ferb Fan Club Show in homage to the original series. The evidence features two boys who attempt to emulate Phineas and Ferb by taking part in adventures to alleviate colorlessness.[74] The serial aims to educating children and promote activity and creativity.[75] It entered its second flavour on April 10, 2009.[74] The television set series Psych has fabricated references to Phineas and Ferb in its sixth season. In the episode "Shawn Rescues Darth Vader," main character Shawn Spencer (portrayed past James Roday) states that he learned his British accent from the granddad on Phineas and Ferb (he tells this to guest star Malcolm McDowell, the vox of the granddad). In "The Amazing Psych Man & Tap-Man, Issue #ii," Shawn mentions the series, stating: "I'one thousand missing a Phineas and Ferb marathon. Perry the Platypus. He's a existent platypus."

Awards and nominations

Year Honour Category Nominee Result
2008 British Academy Children'south Awards Best International[76] Phineas and Ferb Nominated
Primetime Emmy Awards Outstanding Principal Title Theme Music[34] "Today Is Gonna Be a Great Twenty-four hours" Nominated
Outstanding Original Music and Lyrics[77] "I Own't Got Rhythm"
(Episode: "Dude, Nosotros're Getting the Band Dorsum Together!")
Nominated
2009 Annie Awards All-time Animated Tv set Program[78] Phineas and Ferb Nominated
British Academy Children'south Awards Best International[79] Phineas and Ferb Nominated
Kids' Choice Awards Favorite Drawing[80] Phineas and Ferb Nominated
Primetime Emmy Awards Outstanding Special Class Short-Format Animated Program[81] "The Monster of Phineas-n-Ferbenstein" NominatedA
Pulcinella Awards Best TV Series for Kids[82] Phineas and Ferb Won
Special Mention: All-time Wink Animation[82] Phineas and Ferb Won
2010 Annie Awards Best Writing in a Television Product[83] "Nerds of a Feather" Nominated
Daytime Emmy Awards Outstanding Writing in Animation[84] Phineas and Ferb WonB
Outstanding Original Song – Children's and Animation[85] "Come Home Perry"
(Episode: "Oh, There You Are, Perry")
Nominated
Outstanding Accomplishment in Music Management and Composition[85] Danny Jacob Nominated
Outstanding Achievement in Sound Editing – Alive Activeness and Animation[85] Robert Poole Ii, Robbi Smith, and Roy Braverman Nominated
Kids' Choice Awards Favorite Cartoon[86] Phineas and Ferb Nominated
2011 Children's Representatives Ceremony (State of israel) Favorite Drawing Phineas and Ferb Nominated
Kids' Choice Awards Favorite Drawing[87] Phineas and Ferb Nominated
Kids' Choice Awards Argentina Favorite Cartoon[88] Phineas and Ferb Won
Kids' Choice Awards United mexican states Favorite Cartoon[88] Phineas and Ferb Won
Primetime Emmy Awards Outstanding Private Achievement in Animation[89] Jill Daniels
(Episode: "Wizard Of Odd")
Won
Outstanding Individual Achievement in Animation[89] Brian Woods
(Episode: "Wizard Of Odd")
Won
2012 Cynopsis Kids !magination Awards All-time Tween Series[90] Phineas and Ferb Won
Best Tween Special/TV Movie[xc] "Phineas and Ferb the Movie: Across the second Dimension" Won
Kids' Choice Awards Favorite Cartoon Phineas and Ferb Nominated
Primetime Emmy Awards Outstanding Individual Achievement in Animation[91] Jill Daniels
(Episode: "Doof Dynasty")
Won
Outstanding Voice-Over Functioning[92] Dan Povenmire
("Phineas and Ferb the Movie: Across the 2nd Dimension")
Nominated
Outstanding Short-Format Animated Program "The Doonkleberry Imperative" Nominated
2013 Critics' Choice Goggle box Awards All-time Animated Series[93] Phineas and Ferb Nominated
Kids' Choice Awards Favorite Drawing[94] Phineas and Ferb Nominated
2014 British Academy Children's Awards BAFTA Kid's Vote - Television[95] Phineas and Ferb Nominated
Primetime Emmy Awards Outstanding Short-Format Animated Program[96] "Thank you Merely No Thanks" Nominated
2015 Daytime Emmy Awards Outstanding Special Course Animated Plan "Phineas and Ferb Salvage Summer" Nominated
2016 Primetime Emmy Awards Outstanding Animated Program[97] "Final Day of Summertime" Nominated
2021 Kids' Choice Awards Favorite Animated Movie[98] "Phineas and Ferb the Movie: Candace Against the Universe" Nominated
Annie Awards Outstanding Achievement for Vocalism Interim in an Animated Television / Broadcast Production[99] Ashley Tisdale
("Phineas and Ferb the Picture show: Candace Against the Universe")
Nominated
Daytime Emmys Outstanding Writing Team for a Daytime Blithe Program[100] Dan Povenmire, Jeff "Swampy" Marsh, Jon Colton Barry, Jim Bernstein, Joshua Pruett, Kate Kondell, Jeffrey Grand. Howard and Bob Bowen
("Phineas and Ferb the Movie: Candace Against the Universe")
Won
Outstanding Original Song for a Preschool, Children's or Blithe Program[100] "Such a Beautiful Day" (Written by Dan Povenmire and Karey Kirkpatrick) Nominated
1. ^A The Academy of Television Arts & Sciences announced that it would not present the laurels to either nominee in the category.[101]
2. ^B Shared with Back at the Undiscriminating.[84]

Films

Television moving-picture show

On March 3, 2010, a Disney press release appear a made-for-tv set film based on Phineas and Ferb entitled Phineas and Ferb the Movie: Across the 2nd Dimension, which aired on the Disney Aqueduct on August 5, 2011. The picture show depicts Phineas and Ferb accidentally helping Dr. Doofenshmirtz with an invention that takes them to a parallel dimension, where Perry reveals his double life every bit a secret agent to them, and, to relieve their friends from a devious alternative Dr. Doofenshmirtz, they team up with their alternate-dimension selves to cease him.[102]

Planned theatrical film

On Jan eleven, 2011, Disney Channels Worldwide chief Gary Marsh announced that a theatrical Phineas and Ferb feature-length moving picture was in development by Tron: Legacy producer Sean Bailey, to exist produced by Mandeville Films.[103] [104] Serial creators Povenmire and Marsh wrote a script, and the film was scheduled for release on July 26, 2013, by Walt Disney Pictures.[105] Michael Arndt, who had written Fiddling Miss Sunshine and Toy Story 3, was hired to write a typhoon of the screenplay.[106] In October 2012, Disney moved the release date to 2014,[107] and in August 2013, the moving-picture show was removed from its schedule.[108] This led to speculation that the project was canceled, merely Marsh confirmed that the flick was merely on concord.[109] On July 12, 2015, information technology was confirmed that a form of the script of the film was completed.[110] After years without further word on the motion-picture show'due south evolution, in February 2018, it was revealed that the film might return to development depending on the success of the Milo Murphy's Police crossover special.[111]

Disney+ picture

On Apr xi, 2019, it was announced that a film titled The Phineas and Ferb Movie: Candace Against the Universe,[112] would be released on Disney+ inside a twelvemonth of its launch; it would eventually premiere on August 28, 2020. Most of the serial bandage reprised their roles, except Thomas Sangster every bit Ferb, who was replaced by David Errigo Jr., who had previously voiced Ferb on Milo Murphy'due south Constabulary.[113] [114] [115] [116] Co-ordinate to writer Jim Bernstein, the film is unrelated to the theatrical Phineas and Ferb film in development.[117] [118]

Potential tertiary motion-picture show

On Baronial 20, 2020, Povenmire and Marsh revealed that at that place have been talks for a tertiary Phineas and Ferb film.[119]

Crossovers

Phineas and Ferb: Mission Marvel

In 2012, it was announced that a crossover betwixt Phineas and Ferb and Curiosity Entertainment would air in the summer of 2013, titled Phineas and Ferb: Mission Marvel.[120] Information technology features Curiosity Comics superheroes Iron Homo, Spider-Man, the Blob and Thor and the villains the Reddish Skull, Whiplash, Venom and M.O.D.O.Grand. It is the first major animated crossover betwixt Marvel and Disney since the conquering of Marvel Entertainment by Disney in 2009.[121]

Phineas and Ferb: Star Wars

In July 2013, the producers announced a Phineas and Ferb/Star Wars crossover,[122] which was used as a sidebar to the events of Episode IV: A New Hope. The special aired on July 26, 2014.[123]

Milo Murphy'southward Law

Povenmire has said that he would like to practice a crossover with his and Marsh'southward follow-up show, Milo Tater's Law, which takes place in the same universe equally Phineas and Ferb.[124] The entire bandage was confirmed to reprise their roles, with the exception of Ferb, who would again be voiced past David Errigo, Jr. rather than past Thomas Sangster.[125] Before the crossover aired, Dr. Heinz Doofenshmirtz cameoed at the end of the episode "Fungus Among Us"; following the crossover, the characters Doofenshmirtz, Perry the Platypus, Major Monogram and Carl joined the cast of Milo Spud's Constabulary in a recurring capacity.

Phineas and Ferb: The Best Alive Tour Ever

Phineas and Ferb: The Best Live Bout E'er was a touring two-act adaptation of the Television show. A project system played video in the same style every bit the TV show on the rear of the phase; the characters were first introduced there in their cartoon forms, but and then used a backyard slide that continued into a physical slide, out of which the live bandage members emerged into the real world. The performers wore prosthetics to make their characters resemble their cartoon counterparts—mostly head pieces, simply a full trunk adjust in the cases of Buford and Perry.[126] The 2011–2012 flavor of the bout began on Baronial 21, 2011, in Lakeland, Florida and ended on Apr 22, 2012, in Due east Rutherford, New Jersey.[127] The 2012–2013 season began on Baronial 23, 2012, in Wheeling, West Virginia and ran until February 18, 2013, in Chattanooga, Tennessee.

Spin-off

Disney produced a live-activity talk show in which the two characters (as cartoons) interview celebrities, similarly to Space Ghost Coast to Declension, which began airing in Dec 2010 as a two-minute talk-prove format featuring existent-life celebrities such as Tony Hawk, Randy Jackson, Neil Patrick Harris, Seth Rogen, Taylor Swift, Andy Samberg, Tom Bergeron, Emma Roberts, Jack Black, Regis Philbin, Howie Mandel, David Beckham and Guy Fieri.[128] The evidence ended on November 25, 2011.

Doofenshmirtz'south Daily Dirt was a weekly YouTube series starring Dr. Doofenshmirtz that premiered on January iii, 2013. In this miniseries, Doofenshmirtz talked almost "current events, popular culture, music, the Cyberspace, life and all things perplexing," according to its printing release. The show ended on February 27, 2014.[129] [130]

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  130. ^ https://www.youtube.com/playlist?list=PLc0AMC6KmJ8PPiZlf82OEYitArSVTwr9X.

External links

  • Official website
  • Phineas and Ferb at IMDb
  • Phineas and Ferb at the Big Cartoon DataBase
  • Phineas and Ferb at Tv set Guide

stthomasolcou1970.blogspot.com

Source: https://en.wikipedia.org/wiki/Phineas_and_Ferb

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